"itye
":
"iage
jeg
",
"source
":
"er
",
"web_uri
":
"novel-ic-r
3c9816bb0f58505c97b78eb6af8d7726
",
"width
":799,
"height
":799}
"alt=
"
"
css=
"icturedesc
"grou-id=
"4
"花的枝葉細節
div而本品之法,貴在珠明料上需要再罩一層水綠,低溫二次燒成后,才能達到漆黑光亮、顏色牢固的效果。如果不罩水綠,則色料與釉面之間結合不牢,極易脫落,且黑色黯淡無光。用綠彩裝飾配合黑地,巧妙利用了罩綠的工藝環節,且畫面效果沉著典雅,可謂匠心獨運。因燒時成品困難,傳世墨地綠彩器寥若晨星,此種以黑為地的高貴宮廷審美。
divdata-faye=
"iage
"source=
"er
"css=
"icture
"grou-id=
"5
"igsrc=
"{{iage_doa}}{
"iage_tye
":1,
"itye
":
"iage
jeg
",
"source
":
"er
",
"web_uri
":
"novel-ic-r
f023a3fc1ff9a21a08e7bf2c3eed5deb
",
"width
":555,
"height
":832}
"alt=
"
"
css=
"icturedesc
"grou-id=
"5
"看看這鳥和蝴蝶的細節畫法
div“玄色幽幽,以宇宙之大承載萬物;翠色蒼蒼,以羽木之美示予眾生。”蔣光泰一邊說著一邊笑了一下,“碩大的尺寸更以帝王之姿態、帝王之審美、帝王之尊貴展示出威武氣派的皇家風范,堪稱一代精品。即便走過百年,當年庭院提筆吟思的古稀天子,是否又與今人神交,今之有幸,共饕佳器。”
divdata-faye=
"iage
"source=
"er
"css=
"icture
"grou-id=
"6
"igsrc=
"{{iage_doa}}{
"iage_tye
":1,
"itye
":
"iage
jeg
",
"source